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A still from Onward. YouTube
Scanlon says he drew inspiration for the story from his real life – his father passed away when was only a year old – and that Onward is a, “journey to find out who you’re going to grow to be and how it relates to your family.” It’s a poignant premise and a watertight screenplay that exploits the emotional aspects of an awkward boy’s journey to reconnect with his father, and it would have made the film relatable like Pixer 's previous hits. But it is unfortunate that Onward couldn’t achieve that reputability despite rising out of a strong emotional premise.
So. what ensues is a comic caper ride, perhaps fit for a road trip film, but here it feels like the focus is being pulled away for the benefit of slapstick humour. Same goes with what the film is trying to achieve with its other themes and ideas. Hidden in plain sight is the implication that the world has lost its magic to technological advancements like automobiles and smartphones. That nostalgia falls by the wayside as soon as it’s introduced and is never exploited to the benefit of the film.
Production designer Noah Klocek has gone to town with his designs, enabling the animators to often fill the screen with delightful Pixar standard animation wonderland. But from a company that made young people root for a clownfish for more than a decade, the animation here feels distinctly less inspired.
Despite boasting of an impressive voice lineup of big-ticket actors such as Octavia Spencer, Lena Waithe and Ali Wong, Onward somehow never manages to capitalise on their innate comical abilities. Even as he is a sidekick, Pratt’s Barley remains the film’s highlight.
Even as it’s populated by some interesting animated elves, Onward’s overall look never manages to rise above average. Failing to capitalism on what could have been a promising storyline of nostalgia blended with adventure, Onward’s screenplay nevertheless fails to hit the sweet spot between the emotional and the animation. It bears mentioning that Onward’s audience are children, a group not exactly known for critical discernment, so box office success perhaps won’t be elusive. Added to that, the film may benefit from the lack of other animated features during its release in March.
